Tag Archives: black and white

“Gaia, Roy, And The Challenge…”

In the past, I’ve shot couples that were comfortable in front of my lens because they were intimate, and I’ve shot models that were portraying couples that were intimate.

IMG_7446

(Photo: Fidel Amos)

This photoshoot presented me with a tiny bit of a challenge however.

IMG_7600

(Photo: Fidel Amos)

The two people I photographed were not professional models or a couple…they were simply friends that I asked to come and shoot for me.

IMG_7505

(Photo: Fidel Amos)

It’s wonderful to see the “progression of comfort”. In a few of the photos one can notice a slight hint of nervousness or an adaptation to the scenario.

IMG_7689

(Photo: Fidel Amos)

Over the course of the day however, that level of comfort opened up, and it shows in the remaining photos…

IMG_7566

(Photo: Fidel Amos)

Thanks for helping me out Gaia and Roy.

– F

Advertisements

Leave a comment

Filed under The Story Behind The Shot, Why I Do What I Do

“Shooting Myself…” (Photographically)

“The first time I became a ‘paid photographer’ was almost a decade ago.”

“Technically, I had taken photos well before that, having been bitten by the bug in college and shortly after becoming ‘that guy with the camera in your face’ during vacations and road trips. But it wasn’t until about 9 years ago that I was actually paid money to photograph something. I started small (as I imagine most shooters do), with events, parties and red carpet affairs…all very easy to find in NYC. Before long, however, and with help from friends in high places, I found myself with access to fashion shows, VIP happenings and the occasional star-studded wedding.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“A year or two of that kind of photography put decent money in my bank account, but I found myself wanting more. Not more in the sense that I wanted to do more volume, I simply wanted to do the kind of shooting that held a little more substance. I didn’t just want to shoot more photos, I wanted the photos that I shot to mean something…I wanted people to FEEL what I was shooting, not just see it. It had become evident to me that I enjoyed taking random photos of people on the street much more than models on runways or celebrities at functions, so I began putting my focus into portraiture. I remember reading that a certain photographer had prepared for taking portraits of others by practicing on stuffed animals. For some reason though that sounded strange to me, as shooting a non-moving object hardly seemed challenging, so I practiced by shooting photos of myself.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“I can’t honestly say that I took away much from that (other than the fact that being on the receiving end of a lens was more intimidating than I thought), but it did teach me one very valuable lesson: you can’t lie to a camera. Sure, you can make yourself up or undress yourself, you can pose differently or hide certain physical characteristics or imperfections by keeping them out of frame. But in the end you look like what you look like, and you are who you are…there’s no changing that.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“Of course, this was a decade ago, not everyone and their grandmother’s had yet gotten their hands on Photoshop and various other applications that can make just about anyone look like just about anyone else, but that’s not really what I’m talking about. I’m talking about the photo the second you take it, while it’s in the camera, raw for the world to see. Paul Strand, an American photographer and filmmaker, once wrote: ‘It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.’ In the end, he’s right, we’re all just humans….and that’s what I try to show in my photos. True, I’m no master photographer, I’m still learning every day, with every person that I shoot.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“But after adding a few years of portrait-taking to my resume, after having photographed hundreds and hundreds of people in the streets, homes and jobs of various cities in countries around the world, I can safely say that I’ve learned a lot more about what it is to be human….and what it means to photograph that humanness.”

“That’s why I take photos.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“….and that’s why every now and then, I still shoot myself.”

– F

Leave a comment

Filed under The Story Behind The Shot, Why I Do What I Do