Tag Archives: Fidel’s Wandering Eye

“To Be Human…”

I was seated at a restaurant in the center of Verona one day, enjoying a meal alone in Piazza Bra, when a middle-aged man quietly approached my table. He was dressed in plain clothes; a short-sleeved shirt tucked into his workman’s pants, black boots on his feet, an old ball cap lazily placed atop his head. He began speaking in a language I could not understand, all the while pointing at the tiny, customarily-served ramekin of Italian olives on my table. I presumed he was asking for permission to eat them. I passed them over and watched as he began to place them into his mouth one by one, savoring them. My mood that day was pleasant, and seeing how I had some time to kill and no company to keep, I pushed the chair across from me out from under the table and pointed at it, offering him a place to sit. He looked at it, sat, and resumed eating…slowly, methodically.

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(photo: Fidel Amos)

 

Somehow I felt very natural having him there at the table with me. I felt as if we had been friends for years. I felt as if we had made an appointment earlier in the week to have lunch together and he had just now arrived to join me. I felt as if the logical next stop should be to call my waitress over and order him something to eat…so I did. A few minutes later she returned with the bottle of water and dish I had asked for and placed it on the table. His gaze fell to the plate before him and his eyes narrowed. He looked at me, his face showing signs of confusion. I made a “for you” gesture towards his meal and smiled slightly. He looked down at his plate again and suddenly began to cry. He covered his mouth as if to hold in emotions that had been longing to burst free for hours, days, months. I looked away for a moment, giving him time to experience those emotions…not knowing what to say, not knowing what to do.

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(photo: Fidel Amos)

 

He then began to eat. As he ate he told me of his past, his troubles, his worries, his present situation. He shared his life with me. He poured his soul out to me. A stranger, but not a stranger. A friend, but not a friend. I didn’t understand a word he said…but I understood every word he said. As if understanding that I understood, he stopped sharing. For the next ten minutes we sat in silence. For the next ten minutes we were simply two people enjoying a meal, enjoying each other’s quiet company.

After a while the waitress returned and I asked her for the bill, adding a little extra so ‘my friend’ could enjoy dessert when he finished his meal. I gathered my things and stood to leave. He looked up from his meal and raised an eyebrow, curious. I told him that I had to go. He seemed ready to object, as if asking for me to stay so he could thank me in some way. I told him he didn’t need to…my God was good to me, so when I could I returned the favor to others. He stretched out his hand, so I did as well. We shared a handshake. We exchanged foreign goodbyes, then I left.

I left because I wanted him to enjoy a few moments to himself, because I wanted him to savor the rest of his meal in peace, because I didn’t want him to feel obligated to thank me for the dessert that I knew was coming, because I wanted him to take his time, because I wanted him to be human again…

 

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(photo: Fidel Amos)

 

– F

(I’m not sure why I stole a few photos of him during this experience. Probably because it’s what I do. Or more likely because I don’t ever want to forget that day…or him)

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Filed under Diary Of A Traveling Photog, The Good In Mankind

“Shooting Myself…” (Photographically)

“The first time I became a ‘paid photographer’ was almost a decade ago.”

“Technically, I had taken photos well before that, having been bitten by the bug in college and shortly after becoming ‘that guy with the camera in your face’ during vacations and road trips. But it wasn’t until about 9 years ago that I was actually paid money to photograph something. I started small (as I imagine most shooters do), with events, parties and red carpet affairs…all very easy to find in NYC. Before long, however, and with help from friends in high places, I found myself with access to fashion shows, VIP happenings and the occasional star-studded wedding.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“A year or two of that kind of photography put decent money in my bank account, but I found myself wanting more. Not more in the sense that I wanted to do more volume, I simply wanted to do the kind of shooting that held a little more substance. I didn’t just want to shoot more photos, I wanted the photos that I shot to mean something…I wanted people to FEEL what I was shooting, not just see it. It had become evident to me that I enjoyed taking random photos of people on the street much more than models on runways or celebrities at functions, so I began putting my focus into portraiture. I remember reading that a certain photographer had prepared for taking portraits of others by practicing on stuffed animals. For some reason though that sounded strange to me, as shooting a non-moving object hardly seemed challenging, so I practiced by shooting photos of myself.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“I can’t honestly say that I took away much from that (other than the fact that being on the receiving end of a lens was more intimidating than I thought), but it did teach me one very valuable lesson: you can’t lie to a camera. Sure, you can make yourself up or undress yourself, you can pose differently or hide certain physical characteristics or imperfections by keeping them out of frame. But in the end you look like what you look like, and you are who you are…there’s no changing that.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“Of course, this was a decade ago, not everyone and their grandmother’s had yet gotten their hands on Photoshop and various other applications that can make just about anyone look like just about anyone else, but that’s not really what I’m talking about. I’m talking about the photo the second you take it, while it’s in the camera, raw for the world to see. Paul Strand, an American photographer and filmmaker, once wrote: ‘It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.’ In the end, he’s right, we’re all just humans….and that’s what I try to show in my photos. True, I’m no master photographer, I’m still learning every day, with every person that I shoot.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“But after adding a few years of portrait-taking to my resume, after having photographed hundreds and hundreds of people in the streets, homes and jobs of various cities in countries around the world, I can safely say that I’ve learned a lot more about what it is to be human….and what it means to photograph that humanness.”

“That’s why I take photos.”

(photo: Fidel Amos)

(photo: Fidel Amos)

“….and that’s why every now and then, I still shoot myself.”

– F

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Filed under The Story Behind The Shot, Why I Do What I Do

“The Doc Meets The Dude…”

(photo: Fidel Amos)

(photo: Fidel Amos)

I took this photo while on assignment in Dehradun, India with a non-profit group consisting of surgeons, anesthesiologists and nurses from around the world. Locals in the area had heard of the team’s arrival and came from miles away to receive free medical care for their burns, scars and wounds.

One of these locals was an adorable little boy our team aptly named ‘The Dude’, as he didn’t speak English and none of us knew his name. Although he suffered from extreme burns to his hand and face, his presence at the hospital was a cheerful and amicable one.

In this photo he is meeting for the first time one of the surgeons that would later tend to him…and he was all smiles about it.

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Filed under Blog Quickies, Diary Of A Traveling Photog, On Assignment, The Story Behind The Shot

“Americans Need Help Too…”

Everyday on the news we hear about millions of people who are homeless and starving in cities and countries other than our own. We hear about places we can drop off used clothing items, addresses we can mail money orders and websites we can donate to. We hear about hungry children, broken homes and abandoned family members.

(photo: Fidel Amos)

(photo: Fidel Amos)

But how can we help any of those people in any of those cities in any of those countries…when we can’t even help ourselves?

– F

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Filed under Blog Quickies, Hear Me Roar, Really America?

“There Has To Be A Way…”

The United States of America. I love this country, I love another country as well because I grew up there and consider it home, but having lived here the last 20 years or so makes makes me as American as I am Italian (as does the combination of my American father and my Italian mother). One thing that I’ve seen, in the USA as well as Italy, is the ever-increasing number of homeless on the streets. I feel a certain pain inside my soul when I see someone in those conditions, not because I don’t want to help, but because I can’t help…at least, not by myself. Although this is a beautiful country we live in, we can’t seem to find a way to take care of our own citizens…let alone anyone else’s.

There has to be a way to come together as a whole. There has to be a way to provide food, shelter and decent living conditions to the civilians of this great nation…especially to its veterans, who have fought tooth and nail for it. I know that it’s possible. I know because I have been around the world, and I’ve seen the good that mankind (and womankind) can do. I know because while in Union Square here in NYC one day, I saw a man approach another man. They didn’t know one another as far as I could tell. They had only the shirts on their backs and the bags in their hands. But when one asked another if he could have a cigarette, a cigarette is what he got…no questions asked.

If two people who have nothing can give to each other, why can’t we all..?

(photo: Fidel Amos)

(photo: Fidel Amos)

-F

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Filed under Blog Quickies, Hear Me Roar, New York City, Really America?, The Good In Mankind